including notes under tonic; could also parse as Bayati
could also parse within Bayati 1
could also call "2nd Ajam 3/6"; tonic is 6, but note span 3-6
"Husseini" = emphasis on 5 descent to 4
a.k.a. "Secondary Ajam 3/6"
emphasis on 5--resolving to 4 in next phrases
includes baggage underneath 2 & 3
little bit of bayati at the octave within melody
alternate parse of 08-11: bayati descent from 6
not fully realized until #27--just basically 7 to 8
inclusion of 7 within jins
starts with flat-6 above Nah.; could be parsed as Kurd 8
also including Taslim: descent 6 to 1 (like #21)
again, an alternate parse--melody contained within #21
descent from 6--a major emphasis in this Samai, and in Bayati
Bayati 1 is tonic throughout; melody uses notes from 6 below to 6 above
emphasis on 5, tonic is Nahawand 4
though it is really only the note "6"
includes dip down to 3 under tonic of 4 (also typical)
admittedly, first 3 notes could be parsed as 2nd Ajam 3/6
start of taqsim
opening could also be parsed as Ajam 3
don't be thrown off by phrase ending a step below tonic
bayati octave hinted from start of phrase
resolution of Husseini within this phrase
not very strong--perhaps Nahawand 4 or Ajam 6 are felt more?
could make #60 retroactively feel like 2nd Ajam 3/6
dips down to 2 & 3
"Shuri"--which doesn't appear anywhere in the Samai itself
descent from 6