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Zanjaran Analyses

Zanjaran is fairly rare, but quite beautiful maqam, in which the bright Ajam emphasis descends to a darker Hijaz ending. Probably the only piece most musicians know in this maqam is the famous song "Ya Halawt id-Dunya," ("Oh Sweetness of the World,") whose lyrics are captured perfectly by the mood of this maqam. The 1928 Mawwal by Mohamed Abdel-Wahhab "Amana ya leil," explores the full potential available to this maqam, creating a unique series of pathways (see discussion on "Unique Pathways"). The full network represented on this site (not counting the distant departures and expansions used in "Amana Ya Leil") is as follows:

01

(Aya Daraha bil-Haqq)

10

(Aya Daraha bil-Haqq)

11

(Aya Daraha bil-Haqq)

12

(Aya Daraha bil-Haqq)

13

(Aya Daraha bil-Haqq)

17

(Ya Halawt id-Dunya)

18

(Ya Halawt id-Dunya)

19

(Ya Halawt id-Dunya)

20

(Ya Halawt id-Dunya)


Ya Halawt-id-Dunya

[song page with full recording]

01

02

03

04

05

06

07

raised 6 above Ajam 4 (= 9 rel. Hijaz 1)

08

09

10

11

12

13

2nd Verse: Hijazkar

14

15

16

17

18

doesn't resolve to root as hijazkar

19

use of raised 6 above Ajam 4

20

21

22

23

24

25

flat 6 above Ajam

26

27

includes flat 6 above (= 9 relative Hijaz)

28

raised 6 above Ajam

29

30

31

32

33


Aya Daraha Bil-Haqq

[song page with full recording]

01

02

including 6 & 7 underneath octave tonic

03

04

05

raised 6 above Ajam 4 (9 rel. Hijaz)

06

07

melody repeat

08

09

10

11

use of raised 6 above Ajam 4

12

13

14

15

Raised 6 above Ajam; Same verse ending

16


Amana Ya Leil

[song page with full recording]

See discussion on "Unique Pathways" for a fuller understanding of what is happening in this mawwal:

01

starts underneath, prominent 6 & 7

02

03

use of flat-6, contrasting with Ajam

04

use of 6 & 7

05

(3rd degree of Ajam 4)

06

incl 6 & 7 under 8ve tonic

07

08

09

10

flat 6 in lower (root) Hijaz jins

11

12

13

flat-6 again

14

15

16

17

or could include within Hijaz 8 (no descent to 4)

18

19

20

no use of flat 6

21

22

23

24

start of mawwal

25

26

27

Raised 6 above Ajam 4 (9 rel. Hijaz)

28

flat 6 above Hijaz

29

30

wide span

31

32

33

Violin: Gameel 3uweis. 3-4--7-8 melody

34

35

36

37

38

end of violin tarjama

39

(octave of 4)

40

41

arrival at "Maqam" Ajam 4

42

43

44

45

46

47

48

49

50

descent to Ajam 4

51

52

long route here! (from #46)

53

tarjama only from #49

54

raised 6 above Ajam 4 (#50-#51)

55

56

57

58

59

60

(4-6-8) arpeggio

61

62

or Hijaz 8 with flat 6 above

63

64

65

= raised 6 relative to Ajam 4

66

no actual resolution to 4

67

ending on 7

68

raised 6 above Ajam 4

69

Wow!

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