long passage in one jins, eventually up to 6
intro to 2nd verse; starts 3-4-5
strong emphasis on 4--feeling like Nakriz 4
just hint of Hijaz (flat 6)
2nd verse--long passage in Rast
prominent Hijaz of 2nd verse => Maqam Suznak
extended passage in Hijaz
use of raised 6 to return to Rast
shared verse ending
3rd verse; brief start on 1
a unique jins, raised 4 in Sikah Beladi to emphasize 5
3 is where Hijaz occurs in Sikah; this resembles that
like #19, intervals not exactly Hijaz, but similar
melody doesn't dip underneath tonic
reaches up to 8 at end
back to instrumental, Sikah-Beladi 8
making our way back to a stable 5...
also includes 3-4-5
final phrase ambiguous, leading to Saba
strong "tone painting" here--"I cover my tears" etc.
lowered 4 distinguishes this from Hijazkar 5
4th verse intro
unusual usage of flat 7 w/o resolution to Nah. 5
very striking!
(tonicizing 8 from below)
emphasis on 3, not tonicized yet
emphasis on 3
very conclusive phrase! pointing to the end
first extended emphasis on Nahawand
Raised 4 (2 relative to Sikah tonic) distinguishes from Sikah
emphasis on 4
Again, some might call this "Nakriz 4"
(again, emphasis on 4)
strong flat-7
alternate parse of #81-2; descent within Rast from flat-7