goes up to 5 in final phrase
Husseini is the unresolved emphasis on 5 starting this melody
repeating the last few notes of #02; descent from 6
Melody descent, starting with Husseini emphasis (= #02-03)
full-octave descent through both ajnas
including baggage underneath, 7 - 6 - 7 - 8
use of raised 6 above Rast to descend
a.k.a. Ajam 3. Calling it Jiharkah b/c of position in Bayati
opening Ajam emphasis; same as #14-15
a.k.a. Jiharkah 3; same as #16. intervallically Ajam, not Jiharkah
descent from 6
starts on 6, although admittedly tonicization not strong
again, Ajam not very strong here. could parse just as Nahawand
about to resolve down to Rast 4 in lower octave
a little Sazkar here (raised 2 of Rast)
resolution down
going up to 5
(or Ajam 6)
alternate parsing
(or 2nd ajam 3/6)
a.k.a. "Shuri"
condensing 04-06, alternate parse
Shuri
As above, feeling of Husseini 5 and Ajam 3
melody variant, dipping to octave below of Ajam
melody variant, using bayati on the octave