<< Previous: VII. The Big Picture ^ Current: Analyses by Maqam ^ "Maqam Analysis: A Primer" >>

whole page | << Page 1

Zanjaran Analyses (p2)


Amana Ya Leil

[song page with full recording]

See discussion on "Unique Pathways" for a fuller understanding of what is happening in this mawwal:

01

starts underneath, prominent 6 & 7

02

03

use of flat-6, contrasting with Ajam

04

use of 6 & 7

05

(3rd degree of Ajam 4)

06

incl 6 & 7 under 8ve tonic

07

08

09

10

flat 6 in lower (root) Hijaz jins

11

12

13

flat-6 again

14

15

16

17

or could include within Hijaz 8 (no descent to 4)

18

19

20

no use of flat 6

21

22

23

24

start of mawwal

25

26

27

Raised 6 above Ajam 4 (9 rel. Hijaz)

28

flat 6 above Hijaz

29

30

wide span

31

32

33

Violin: Gameel 3uweis. 3-4--7-8 melody

34

35

36

37

38

end of violin tarjama

39

(octave of 4)

40

41

arrival at "Maqam" Ajam 4

42

43

44

45

46

47

48

49

50

descent to Ajam 4

51

52

long route here! (from #46)

53

tarjama only from #49

54

raised 6 above Ajam 4 (#50-#51)

55

56

57

58

59

60

(4-6-8) arpeggio

61

62

or Hijaz 8 with flat 6 above

63

64

65

= raised 6 relative to Ajam 4

66

no actual resolution to 4

67

ending on 7

68

raised 6 above Ajam 4

69

Wow!

whole page | << Page 1

<< Previous: VII. The Big Picture ^ Current: Analyses by Maqam ^ "Maqam Analysis: A Primer" >>