See discussion on "Unique Pathways" for a fuller understanding of what is happening in this mawwal:
starts underneath, prominent 6 & 7
use of flat-6, contrasting with Ajam
use of 6 & 7
(3rd degree of Ajam 4)
incl 6 & 7 under 8ve tonic
flat 6 in lower (root) Hijaz jins
flat-6 again
or could include within Hijaz 8 (no descent to 4)
no use of flat 6
start of mawwal
Raised 6 above Ajam 4 (9 rel. Hijaz)
flat 6 above Hijaz
wide span
Violin: Gameel 3uweis. 3-4--7-8 melody
end of violin tarjama
(octave of 4)
arrival at "Maqam" Ajam 4
descent to Ajam 4
long route here! (from #46)
tarjama only from #49
raised 6 above Ajam 4 (#50-#51)
(4-6-8) arpeggio
or Hijaz 8 with flat 6 above
= raised 6 relative to Ajam 4
no actual resolution to 4
ending on 7
raised 6 above Ajam 4
Wow!