The largest number of sentences in this analysis use Jins Rast in the lower octave - which is to be expected, as it is the central jins in Maqam Rast, important both at the open and close of the maqam. (See the Rast Maqam Network to get a clearer picture of that). The melodies on this page ascend to the 5th scale degree in one form or another; some also return back to 1.