The largest number of sentences in this analysis use Jins Rast in the lower octave - which is to be expected, as it is the central jins in Maqam Rast, important both at the open and close of the maqam. (See the Rast Maqam Network to get a clearer picture of that). The melodies on this page descend toward 1, although not all of them do in fact resolve (saving that for a future sentence).