From "Samai Bayati il-3ariyan"
could also call "2nd Ajam 3/6"; tonic is 6, but note span 3-6
"Husseini" = emphasis on 5 descent to 4
a.k.a. "Secondary Ajam 3/6"
though it is really only the note "6"
includes dip down to 3 under tonic of 4 (also typical)
admittedly, first 3 notes could be parsed as 2nd Ajam 3/6
not very strong--perhaps Nahawand 4 or Ajam 6 are felt more?
could make #60 retroactively feel like 2nd Ajam 3/6
dips down to 2 & 3
From "Taheya"
opening Ajam emphasis; same as #14-15
descent from 6
starts on 6, although admittedly tonicization not strong
From "Ah Ya Hilu"
(or Ajam 6)
alternate parsing
(or 2nd ajam 3/6)
From "Ba3eed 3annak"
typical Nahawand to Bayati descent from 6
first real Ajam, even though hinted before
this Lazima is easy to confuse with Kurd 1; however, emphasis is on Ajam 6
wrapping it all into Ajam
prominent inclusion of notes under Nahawand (2 & 3)
inclusion of 7 within jins
starts with flat-6 above Nah.; could be parsed as Kurd 8
also including Taslim: descent 6 to 1
As above, feeling of Husseini 5 and Ajam 3
melody variant, dipping to octave below of Ajam