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Lissa Fakir

Verses 1-3

One of my favorite Umm Kulthum songs, not least for its mix of sweet melody and bitter lyrics... catchy tunes with dark emotional exploration. The first three verses fully explore Maqam Ajam as it was in Egypt by mid-20th century, with the characteristic Secondary Saba of the 2nd verse. All of these moves, in fact the whole profile of Ajam, was new; a complete change from the older version of Ajam. See the full discussion on the Ajam Pathways page.
See the following analyses: Jins Ajam, Jins Secondary Ajam, Jins Hijaz, Jins Secondary Saba, Jins Bayati, Jins Nahawand, Jins Ajam Baggage

Maqam Ajam

Composer: Riyad is-Sunbati

Performer: Umm Kulthum

Lissa Fakir (complete recording)

(The complete recording starts with an introduction not included in the analysis, as well as an additional verse beyond the three analyzed below.)

01

02

03

04

use of raised 6 to return

05

2nd Verse

06

4 returns to normal

07

08

09

use of raised 6 to return

10

dips down to 3

11

lowered 7

12

13

14

emphasis on 4

15

16

or could be interpreted within Hijaz 5

17

18

emphasis on 5, Hijaz

19

20

again, although technically in ajam range

21

16-21 could all be grouped as Hijaz 5

22

23

ending...

24

use of raised 6 to return

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