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Jins Nahawand and Jins Nakriz (p2)


As a Secondary Jins on 5

Nahawand rarely gets extended treatment in this context; as you will hear from most of the examples in this section, it serves a passing function, usually leading downward to the root jins. Only very rarely does it create a full tonicization of the 5th scale degree above Rast or Ajam. (It more frequently does that in Maqam Nakriz, where Nahawand is the principal secondary Jins on 5, but I haven't included any examples of that Maqam on this site.)

From the Muwashshah "Ya Shadi il-Alhan":

01

02

03

melody dips below down to 3

04

Mawwal Rast "Fein Ya Gameel Wa3dak":

01

02

dips to 7 & 6

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04

Ya Maal ish-Sham:

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02

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Ghannili Shwayya:

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04

5-6-7 shared Bayati & Saba; ornamentation ambiguous

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strong emphasis on 7 (3rd note above Nahawand 5)

06

phrase endings on 4, but tonic still 5

07

Aruh Li Meen :

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03

04

In all of the previous examples in Rast, Nahawand 5 served more as a passing jins, rather than a strong tonicization of 5. We see in this later passage from "Aruh Li Meen" a rare more extended treatment of Nahawand 5 (#66):

65

very conclusive phrase! pointing to the end

66

first extended emphasis on Nahawand

67

68

Finally, an example on the 5th scale degree of Maqam Ajam, from Lissa Fakir:

10

dips down to 3

11

lowered 7

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14

emphasis on 4


As a Secondary Jins on 6

Not common--except within the context of this particular Maqam--Ajam Ushayran. From Muwashshah "Ayqadha-l-hubbu Fu'aadi":

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