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Rast Pathways: Hijaz

After Nahawand and Secondary Rast, Hijaz is the most important and common pathway in Rast. As you can see from the Maqam Rast Page, a majority of songs in Rast use the Hijaz pathway. This doesn't necessarily make them "Maqam Suznak," unless, as in the case of Ghannili Shwayya, the Hijaz pathway is the dominant and ending pathway for the maqam. In Rast we have both brief "passing" hijaz melodies, as well as melodies that truly tonicize and sit on Hijaz 5 for an extended passage.

Passing Hijaz (usually also along with Nahawand)

From Muwashshah "Ya Shadi il-Alhan"

01

02

03

melody dips below down to 3

04

From Hayrana Leh

11

12

dips to 4

13

14

use of raised 6 after Hijaz 5 to return to Rast 1

From "Fakkaruni"

14

15

dips all the way down to 2 in Rast area

16

17

really only flat-6 to 5

18

end of verse 1

From "Ghannili Shwayya"

05

strong emphasis on 7 (3rd note above Nahawand 5)

06

phrase endings on 4, but tonic still 5

07

From "Aruh Li Meen"

05

intro to 2nd verse; starts 3-4-5

06

strong emphasis on 4--feeling like Nakriz 4

07

08

just hint of Hijaz (flat 6)

09

2nd verse--long passage in Rast


Hijaz emphasis and full tonicization

From "Hayrana Leh"

25

26

27

stretches from 3 up to 9

28

From "Ghannili Shwayya"

07

08

melodic inclusion of 4

09

From "Aruh Li Meen"

09

2nd verse--long passage in Rast

10

prominent Hijaz of 2nd verse => Maqam Suznak

11

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